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Camelamos naquerar (1976)

7.00h 17mDocumentary • Music
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Synopsis

Camelamos naquerar (We Want to Speak) is an adaptation of the theatre play of the same name which was born out of a collaboration between Romani poet and university professor José Heredia Maya and Romani flamenco dancer and choreographer Mario Maya; the latter also performs in the piece, along with other artists. The title in Caló, the language used by Gitanos, translates as ‘we want to speak’, a revolutionary message that illustrates the efforts to reclaim a place in Spanish history for the Roma people and denounce the institutional injustice suffered by the community. It takes as its starting point the Pragmatic decrees signed by the Catholic Monarchs at the end of the fifteenth century, which heralded the long persecution of the Roma people, and continues right up to the twentieth-century Francoist laws.

Movie Information

Director
Miguel Alcobendas
Writers
Miguel Alcobendas
Release Year
1976
Runtime
17 minutes
Genre
Documentary, Music
Language
ES
Country
Spain
Status
Released
Rating
7.0 / 10 (1 votes)

Top Cast

👤
Carlos Revilla
Narrator (voice)
Ángel Ter — cast portrait as Narrator (voice)
Ángel Ter
Narrator (voice)
Mario Maya — cast portrait as Self
Mario Maya
Self
👤
Concha Vargas
Self

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Camelamos naquerar (We Want to Speak) is an adaptation of the theatre play of the same name which was born out of a collaboration between Romani poet and university professor José Heredia Maya and Romani flamenco dancer and choreographer Mario Maya; the latter also performs in the piece, along with other artists. The title in Caló, the language used by Gitanos, translates as ‘we want to speak’, a revolutionary message that illustrates the efforts to reclaim a place in Spanish history for the Roma people and denounce the institutional injustice suffered by the community. It takes as its starting point the Pragmatic decrees signed by the Catholic Monarchs at the end of the fifteenth century, which heralded the long persecution of the Roma people, and continues right up to the twentieth-century Francoist laws.

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