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Cut the Parrot (1996)

0h 40m
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Synopsis

In his first film, A Prayer for Nettie, Donigan Cumming had placed Albert at the heart of the posthumous tribute to Nettie, his former model. One year later, he composed Cut the Parrot, a new requiem intended for Albert, who also died amid total indifference. As in his previous film, the film-maker gathered a series of eulogies in honour of the deceased from the people, some close and others not so close, who were emotionally affected by his death. But this film differs from the previous one in that it seems to be based not only on respect but also on an intense anger. Several times Donigan films his own face and angrily tells about how he was informed of Albert's death or about his visit to the morgue to identify the body. From then on the principle behind his cinematographic quest seems clearly exposed: no life, however marginal it may seem, should end in such a way, without any consideration.

Movie Information

Director
Donigan Cumming
Release Year
1996
Runtime
40 minutes
Language
EN
Country
Canada
Status
Released

Top Cast

👤
Gerald Harvey
Gerry
Donigan Cumming — cast portrait as Donigan
Donigan Cumming
Donigan
👤
Geoffrey Bates
Geoff
👤
Beatrice Johnson
Beatrice
Elizabeth Barclay — cast portrait as Elizabeth
Elizabeth Barclay
Elizabeth
👤
James Carter
Jimmy
👤
Gordon Alexander
Alex
👤
Susan Thomson
Susan

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What is Cut the Parrot about?

In his first film, A Prayer for Nettie, Donigan Cumming had placed Albert at the heart of the posthumous tribute to Nettie, his former model. One year later, he composed Cut the Parrot, a new requiem intended for Albert, who also died amid total indifference. As in his previous film, the film-maker gathered a series of eulogies in honour of the deceased from the people, some close and others not so close, who were emotionally affected by his death. But this film differs from the previous one in that it seems to be based not only on respect but also on an intense anger. Several times Donigan films his own face and angrily tells about how he was informed of Albert's death or about his visit to the morgue to identify the body. From then on the principle behind his cinematographic quest seems clearly exposed: no life, however marginal it may seem, should end in such a way, without any consideration.

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