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Pausa Italiana (2004)

3h 56m
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Synopsis

In 1998 it seemed impossible to Balagura to make films in the Ukraine without becoming a slave to television; he therefore left for Italy, the "country of culture". With no immigration papers, with a wife and two children, the less agreeable realities of his situation soon caught up with him. In 2004, armed with a basic mini-DV camera borrowed from a friend, with a casual acquaintance as camera operator, he shot 'Pausa Italiana'. From a small village in the Abruzzi region, he observed the reality surrounding him; he also turned the camera upon his own status as migrant, a situation no documentarist could capture. He allies precise recordings with a fragmentary narrative of literary quality, giving the film a particular quality: auto-fiction and ethnography intersect to form an Aristotelian poetic, avoiding separation between self and other, observer and observed, the real and the cosmic

Movie Information

Director
Aleksandr Balagura
Writers
Aleksandr Balagura, Milena Balagura
Release Year
2004
Runtime
236 minutes
Language
EN
Status
Released

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In 1998 it seemed impossible to Balagura to make films in the Ukraine without becoming a slave to television; he therefore left for Italy, the "country of culture". With no immigration papers, with a wife and two children, the less agreeable realities of his situation soon caught up with him. In 2004, armed with a basic mini-DV camera borrowed from a friend, with a casual acquaintance as camera operator, he shot 'Pausa Italiana'. From a small village in the Abruzzi region, he observed the reality surrounding him; he also turned the camera upon his own status as migrant, a situation no documentarist could capture. He allies precise recordings with a fragmentary narrative of literary quality, giving the film a particular quality: auto-fiction and ethnography intersect to form an Aristotelian poetic, avoiding separation between self and other, observer and observed, the real and the cosmic

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