Synopsis
In a small village devastated by a past storm, an elderly woman named Tae lives alone selling grilled dumplings. Her life follows a quiet, repetitive routine, as if time itself has come to a standstill. One night, Tae discovers a strange creature in the mountains and brings it home, naming it Haru. Haru eats only the dumplings Tae makes by hand. Awkward yet gentle, Haru’s presence gives Tae a renewed sense of purpose. However, the village cannot accept what it does not understand. Rumors of a monster called “UWAN” spread, and fear takes hold. Haru is branded a harbinger of disaster, while Tae is deemed mentally unstable and forcibly hospitalized. Caught between rigid institutions and superstition, Tae struggles to protect Haru. Finally, she stages a grand fake funeral, allowing Haru to escape the village’s fear. As another storm approaches, Tae realizes that love is not about possession, but about letting go.
Movie Information
- Director
- Akira Ikeda
- Release Year
- 2026
- Genre
- Drama
- Language
- JA
- Country
- Taiwan, Japan
- Status
- Post Production
Top Cast
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What is The Canary's Lullaby about?
In a small village devastated by a past storm, an elderly woman named Tae lives alone selling grilled dumplings. Her life follows a quiet, repetitive routine, as if time itself has come to a standstill. One night, Tae discovers a strange creature in the mountains and brings it home, naming it Haru. Haru eats only the dumplings Tae makes by hand. Awkward yet gentle, Haru’s presence gives Tae a renewed sense of purpose. However, the village cannot accept what it does not understand. Rumors of a monster called “UWAN” spread, and fear takes hold. Haru is branded a harbinger of disaster, while Tae is deemed mentally unstable and forcibly hospitalized. Caught between rigid institutions and superstition, Tae struggles to protect Haru. Finally, she stages a grand fake funeral, allowing Haru to escape the village’s fear. As another storm approaches, Tae realizes that love is not about possession, but about letting go.
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