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What She Said: The Art of Pauline Kael (2019)

6.71h 38mDocumentary
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Synopsis

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

Movie Information

Director
Rob Garver
Writers
Rob Garver
Release Year
2019
Runtime
98 minutes
Genre
Documentary
Language
EN
Country
United States of America
Status
Released
Rating
6.7 / 10 (16 votes)

Top Cast

Sarah Jessica Parker — cast portrait as Pauline's Voice Over
Sarah Jessica Parker
Pauline's Voice Over
Quentin Tarantino — cast portrait as Self
Self
David O. Russell — cast portrait as Self
David O. Russell
Self
Alec Baldwin — cast portrait as Self
Alec Baldwin
Self
Francis Ford Coppola — cast portrait as Self
Francis Ford Coppola
Self
Paul Schrader — cast portrait as Self
Paul Schrader
Self
John Boorman — cast portrait as Self
John Boorman
Self
Robert Towne — cast portrait as Self
Robert Towne
Self

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Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

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