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Marattam (1988)

9.01h 30mTV Movie
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Synopsis

Panicker's one-act play deals with the relation of identification between an actor and his or her role. The action takes place on the eve of the last act of the Kathakali piece Keechakavadham (The Killing of Keechaka). The events surrounding the performance uncannily echo events in the play. One character even claims to have killed the lead actor of the play because he detested the character the man portrayed. However, the three different accounts that are presented of the same plot are never resolved or reconciled with each other. Each version is accompanied by a different style of folk music: the tune and rhythm of southern Kerala’s thampuran pattu, the pulluvan pattu and the ayappan pattu. The performers were drawn from the theatre and from Kathakali. In southern India, with its plethora of politicians using their film images to acquire inordinate wealth and power, Aravindan’s TV film bears on an eminently sensitive political as well as aesthetic issue.

Movie Information

Director
Govindan Aravindan
Writers
Kavalam Narayana Panicker
Release Year
1988
Runtime
90 minutes
Genre
TV Movie
Language
ML
Country
India
Status
Released
Rating
9.0 / 10 (1 votes)

Top Cast

👤
Sadanam Krishnankutty
Kalamandalam Kesavan — cast portrait
Kalamandalam Kesavan
👤
Vasudevan Namboodiri
Krishnankutty Nair — cast portrait
Krishnankutty Nair
Urmila Unni — cast portrait
Urmila Unni

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What is Marattam about?

Panicker's one-act play deals with the relation of identification between an actor and his or her role. The action takes place on the eve of the last act of the Kathakali piece Keechakavadham (The Killing of Keechaka). The events surrounding the performance uncannily echo events in the play. One character even claims to have killed the lead actor of the play because he detested the character the man portrayed. However, the three different accounts that are presented of the same plot are never resolved or reconciled with each other. Each version is accompanied by a different style of folk music: the tune and rhythm of southern Kerala’s thampuran pattu, the pulluvan pattu and the ayappan pattu. The performers were drawn from the theatre and from Kathakali. In southern India, with its plethora of politicians using their film images to acquire inordinate wealth and power, Aravindan’s TV film bears on an eminently sensitive political as well as aesthetic issue.

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