Synopsis
The show is about finding yourself by looking inside yourself. More specifically, it is about recognizing that you are a bad feminist and finding peace with that. About not letting your opinions be dictated by others and about how some people cannot claim ownership of a word or a definition. It is about there being room to be bad at something and that it is perfectly okay. In the spring of 2017, you can experience Zulu Comedy Galla Talent Award winner Ane Høgsberg in her debut one-woman show for the first time. She will be accompanied by a surprise warm-up act, which (without giving too much away) proves that the stand-up industry is not made up of white, oppressive men, but is actually full of supportive and good colleagues who can recognize talent when they see it and are always willing to back it up and, well, well, warm up for one of the new stars in the Danish stand-up firmament.
Movie Information
- Director
- Christina Sørensen
- Writers
- Ane Høgsberg
- Release Year
- 2017
- Genre
- Comedy
- Language
- DA
- Country
- Denmark
- Status
- Released
- Rating
- 4.0 / 10 (1 votes)
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What is Ane Høgsberg: Dårlig Feminist about?
The show is about finding yourself by looking inside yourself. More specifically, it is about recognizing that you are a bad feminist and finding peace with that. About not letting your opinions be dictated by others and about how some people cannot claim ownership of a word or a definition. It is about there being room to be bad at something and that it is perfectly okay. In the spring of 2017, you can experience Zulu Comedy Galla Talent Award winner Ane Høgsberg in her debut one-woman show for the first time. She will be accompanied by a surprise warm-up act, which (without giving too much away) proves that the stand-up industry is not made up of white, oppressive men, but is actually full of supportive and good colleagues who can recognize talent when they see it and are always willing to back it up and, well, well, warm up for one of the new stars in the Danish stand-up firmament.
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