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The Metropolitan Opera: Samson et Dalila (2018)

2h 2mMusic • Drama
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Synopsis

A towering biblical epic, Saint-Saëns’s operatic take on the story of Samson and Delilah has many of the hallmarks of grand opera—show-stopping vocal displays, thrilling choruses, and an engrossing plot set against a sweeping, pseudo-historical backdrop. It’s fitting, then, that Samson et Dalila has been chosen to celebrate the opening of the Met’s season four times in the company’s history, including when Darko Tresnjak’s bold new production premiered on the first night of the 2018–19 season. A few weeks later, the opera was shown as part of the Met’s series of live cinema transmissions, featuring an exceptional cast. Tenor Roberto Alagna was the heroic Samson, who ultimately falls victim to the seductive power of Dalila—the captivating mezzo-soprano Elīna Garanča. Bass-baritone Laurent Naouri sang the sinister High Priest of Dagon, with conductor Sir Mark Elder on the podium.

Movie Information

Director
Gary Halvorson
Writers
Ferdinand Lemaire
Release Year
2018
Runtime
122 minutes
Genre
Music, Drama
Language
FR
Country
United States of America
Status
Released

Top Cast

Roberto Alagna — cast portrait as Samson
Roberto Alagna
Samson
Elīna Garanča — cast portrait as Dalila
Elīna Garanča
Dalila
Laurent Naouri — cast portrait as The High Priest of Dagon
Laurent Naouri
The High Priest of Dagon
Elchin Azizov — cast portrait as Abimélech
Elchin Azizov
Abimélech
Dmitry Belosselskiy — cast portrait as The Old Hebrew
Dmitry Belosselskiy
The Old Hebrew
👤
Tony Stevenson
First Philistine
👤
Bradley Garvin
Second Philistine
👤
Mark Schowalter
A Philistine Messenger

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A towering biblical epic, Saint-Saëns’s operatic take on the story of Samson and Delilah has many of the hallmarks of grand opera—show-stopping vocal displays, thrilling choruses, and an engrossing plot set against a sweeping, pseudo-historical backdrop. It’s fitting, then, that Samson et Dalila has been chosen to celebrate the opening of the Met’s season four times in the company’s history, including when Darko Tresnjak’s bold new production premiered on the first night of the 2018–19 season. A few weeks later, the opera was shown as part of the Met’s series of live cinema transmissions, featuring an exceptional cast. Tenor Roberto Alagna was the heroic Samson, who ultimately falls victim to the seductive power of Dalila—the captivating mezzo-soprano Elīna Garanča. Bass-baritone Laurent Naouri sang the sinister High Priest of Dagon, with conductor Sir Mark Elder on the podium.

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