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Whoever Says the Truth Shall Die (1981)

A film about Pier Paolo Pasolini

5.71h 0mDocumentary
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Synopsis

Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.

Movie Information

Director
Philo Bregstein
Writers
Philo Bregstein, Michèle Garlati
Release Year
1981
Runtime
60 minutes
Genre
Documentary
Language
IT
Country
Netherlands
Status
Released
Rating
5.7 / 10 (13 votes)

Top Cast

Pier Paolo Pasolini — cast portrait as Self- archive footage
Pier Paolo Pasolini
Self- archive footage
Alberto Moravia — cast portrait as Self - writer
Alberto Moravia
Self - writer
Laura Betti — cast portrait as Self
Laura Betti
Self
Maria Antonietta Macciocchi — cast portrait as Self - writer
Maria Antonietta Macciocchi
Self - writer
Bernardo Bertolucci — cast portrait as Self
Bernardo Bertolucci
Self
👤
Nino Marazzita
Self - Pier Paolo Pasolini family's lawyer

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Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.

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