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The New Morality (2015)

1h 36m
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Synopsis

Set aboard a houseboat on a fashionable reach of the Thames in 1911, The New Morality tells the story of how the brazen Betty Jones restores dignity to her household and harmony to her marriage, by losing her temper and making a scene. A rising star, Harold Chapin had numerous one-acts and three full-length plays produced before he was killed on the battlefield in 1915 at the age of 29. “When Harold Chapin fell in France the modern British theatre lost a comic writer of high order,” declared the Sunday Times. “For intellectual foolery, his New Morality has no equal in present-day work.” The play was produced five years after his death to great acclaim, and then languished in obscurity for decades until our “lavishly crafted”1 revival introduced New York theatergoers to Chapin’s “unabashed comedy with bite.”2

Movie Information

Release Year
2015
Runtime
96 minutes
Language
EN
Status
Released

Top Cast

Brenda Meaney — cast portrait as Betty Jones
Brenda Meaney
Betty Jones
👤
Michael Frederic
Col. Ivor Jones
Christian Campbell — cast portrait as Geoffrey Belasis
Christian Campbell
Geoffrey Belasis
👤
Clemmie Evans
Alice Meynell
👤
Kelly McCready
Lesceline
Ned Noyes — cast portrait as E.  Wallace Wister
Ned Noyes
E. Wallace Wister
👤
Douglas Rees
Wooton

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What is The New Morality about?

Set aboard a houseboat on a fashionable reach of the Thames in 1911, The New Morality tells the story of how the brazen Betty Jones restores dignity to her household and harmony to her marriage, by losing her temper and making a scene. A rising star, Harold Chapin had numerous one-acts and three full-length plays produced before he was killed on the battlefield in 1915 at the age of 29. “When Harold Chapin fell in France the modern British theatre lost a comic writer of high order,” declared the Sunday Times. “For intellectual foolery, his New Morality has no equal in present-day work.” The play was produced five years after his death to great acclaim, and then languished in obscurity for decades until our “lavishly crafted”1 revival introduced New York theatergoers to Chapin’s “unabashed comedy with bite.”2

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