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Keeping the Vision Alive (2002)

0h 51mDocumentary
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Synopsis

Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)

Movie Information

Director
Yim Soon-rye
Release Year
2002
Runtime
51 minutes
Genre
Documentary
Language
KO
Country
South Korea
Status
Released

Top Cast

Choi Eun-hee — cast portrait as Herself
Choi Eun-hee
Herself
Park Nam-ok — cast portrait as Herself
Park Nam-ok
Herself
Hwang Jeong-sun — cast portrait as Herself
Hwang Jeong-sun
Herself
Hwang Hye-mi — cast portrait as Herself
Hwang Hye-mi
Herself
Lee Mi-rye — cast portrait as Herself
Lee Mi-rye
Herself
Jeong Jae-eun — cast portrait as Herself
Jeong Jae-eun
Herself
Kim So-young — cast portrait as Herself
Kim So-young
Herself
Byun Young-joo — cast portrait as Herself
Byun Young-joo
Herself

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What is Keeping the Vision Alive about?

Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)

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