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Montage IV: The Garden of Eden (1962)

0h 10m
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Synopsis

The small town of Lucas, Kansas, is home to one of America’s most unique triumphs of self-expression: S. P. Dinsmoor’s fantastical backyard concrete and wood rendering of the Garden of Eden. Dinsmoor’s self-constructed and wildly imaginative figures represent one man’s attempt to make sense of the world in which he lived. A Civil War veteran, farmer, and self-taught artist, Dinsmoor created a work perhaps more relevant today than ever before; witness Dinsmoor’s Labor Crucified surrounded by a Doctor, a Lawyer, a Preacher, and a Banker to know that this garden is still thriving today. Adding to Dinsmoor’s triumph is the collective work of Montage Production’s Richard Grove, Richard J. Meyer, and Wayne Sourbeer, a trio of avant-garde filmmakers who simply and effectively captured the power of Dinsmoor’s architectural sculptures under the blue-gray skies of southeastern Kansas and further emboldens them using Dinsmoor’s own words.

Movie Information

Director
Richard J. Meyer
Writers
S. P. Dinsmoor, Richard Grove
Release Year
1962
Runtime
10 minutes
Language
EN
Country
United States of America
Status
Released

Top Cast

👤
Guy Gebhardt

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What is Montage IV: The Garden of Eden about?

The small town of Lucas, Kansas, is home to one of America’s most unique triumphs of self-expression: S. P. Dinsmoor’s fantastical backyard concrete and wood rendering of the Garden of Eden. Dinsmoor’s self-constructed and wildly imaginative figures represent one man’s attempt to make sense of the world in which he lived. A Civil War veteran, farmer, and self-taught artist, Dinsmoor created a work perhaps more relevant today than ever before; witness Dinsmoor’s Labor Crucified surrounded by a Doctor, a Lawyer, a Preacher, and a Banker to know that this garden is still thriving today. Adding to Dinsmoor’s triumph is the collective work of Montage Production’s Richard Grove, Richard J. Meyer, and Wayne Sourbeer, a trio of avant-garde filmmakers who simply and effectively captured the power of Dinsmoor’s architectural sculptures under the blue-gray skies of southeastern Kansas and further emboldens them using Dinsmoor’s own words.

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